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Due to the complexity of the animation for this spot, it was thoroughly pre-vised by Halon, and
a model of the Long Arm milo put into the Maya scene to make sure that the entire move could be
achieved. During part of the circular move, the camera could see ifself, so the turret was reversed
and that section shot as a separate pass. With 5 different rig placements, and 2 other rigs for the sun
motion, this was a lot of work, but resulted in a spectacular spot that was the talk of the Olympics
(well right after Michael Phelps)
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